
Well, I think it's safe to say that until I go to Ibiza, or another sun-drenched music paradise that I will not experience a better Thursday-Friday combo than that. Two epic shows, both epic for vastly different reasons.
I'll start chronologically with Above & Beyond at Celebrities on Thursday night. First off, the bouncers at celebrities must go. They have to either quit, or be fired by management as their little run at trying to control a small part of the world is beginning to wear me thin. They would hold a line to their own mothers funeral. And I think I know why.
Tuesday is their big night. Everybody knows about it, and everybody has been at least once, and it is one of the most absurd things to behold. People lining up at 8 o'clock in their work clothes to get stamped, only to enter and then leave. It's quite pathetic. So these bouncers have to deal with that every Tuesday, which I imagine can be quite draining. However, there are 6 other nights of the week in which to behave like a normal human being. This past Thursday wasn't one of them. When we arrived at 11 (AAB wern't going on til at least 12-12:30) the line was Tuesday-esque.....FOR WILL CALL! People like myself, who had already paid and who just wanted to claim their rightly owed ticket, are in no mood to wait so you can hold a line trying vainly to get a bit of grease off the top. What's the point? Is that how you treat a customer? And to say it was a processing line is bullshit; the line didn't move at all for the first 20 minutes. As UWO Rugby loves to say...SORT IT OUT.

Anyway, to the show. It was very, very good. Paavo and Jono (no Tony) were very happy to be there, spun their usual blend of happy, up-beat and up-energy shit, and left the stage with the crowd giving them a very warm and grateful ovation (obviously standing). No easy task. They played a few uncharacteristic tunes as well (SVD - Ninety, a few others). All in all, a very good show.

Now, onto Mr. Schulz. As is everything to do with Markus, things get a bit more complex, but generally much more rewarding. Things started brilliantly as I spotted Markus lingering on the edge of the stage as the opener was finishing up, and called him over. Without any hesitation he strolled over, shook our hands and started shooting the shit with us like we were old friends. An incredibly nice guy. I asked him if he was going to rip it tonight and he said "No, tonight's my night off..." then burst out laughing and told us of course he would, then said enjoy the show and scampered off. A true G.
The crowd was going ballistic when he came on. "MARKUS! MARKUS!" chants probably could have been heard in false creek. Opened with Above & Beyonds "Anjuna beach", then into Binary Finarys - 1998 (Vegas Baby Remix) which made my night. Anyway, he is absolutely killing it, people going nuts, and then the unthinkable happens.....the sound cuts out. Everyone thought it was on purpose, and started screaming, but it just wouldn't come back on. Of course, panic erupts. All you could hear was that eerie sound that a crowd makes when it doesn't quite know what to do. Markus was PISSED, ripping his headphones off and screaming at the techies around him. I think it was around 15 minutes until things came back on, but understandably the whole night took a hit. When things started working again he played the Barnes & Heatcliff remix of "Johnny The Fox" which got the hardcore Markus fans back into it a bit, but others that might have been on the fringe left. A real shame. A few friends of mine who came not knowing anything about Markus were blown away at the beginning, but lost interest during the cut-off. He recovered as good as any DJ could possibly hope to, but it's impossible to make up for something like that. And to make matters worse, at the end of his set, some fucking idiot comes on the mic and tells everyone the shows about to end and to go get your coats from coat check!!! Markus turned to the guy and started ripping him a new asshole. The guy looked terrified. What kind of moron interrupts a DJ, let alone as he's coming to the crescendo of his set, let alone a DJ like Markus Schulz?!?!
Anyway, it wasn't the crowds fault, and to show his appreciation he did what he usually does which is jump into the crowd, give high-fives and sign autographs. Which is exactly what I scored.

Any other DJ could have quit, blamed the club or the sound-crew, blamed the embarrassing management or any number of things, but the fact that Markus kept going, kept ripping it, and still played one of the best sets I've seen (his opening 3-4 tracks had people in utter disbelief) is a testament to his greatness. I'm afraid the #8 is seven places too high.
--Henry